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The Boat of Quiet Hours
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The Boat of Quiet Hours
(1986)
— for Perkins
And, as the year
Grows lush in juicy stalks, I’ll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
John Keats
Endymion, Book I
I
Walking Alone in Late Winter
Evening at a Country Inn
From here I see a single red cloud
impaled on the Town Hall weather vane.
Now the horses are back in their stalls,
and the dogs are nowhere in sight
that made them run and buck
in the brittle morning light.
You laughed only once all day—
when the cat ate cucumbers
in Chekhov’s story . . . and now you smoke
and pace the long hallway downstairs.
The cook is roasting meat for the evening meal,
and the smell rises to all the rooms.
Red-faced skiers stamp past you
on their way in; their hunger is Homeric.
I know you are thinking of the accident —
of picking the slivered glass from his hair.
Just now a truck loaded with hay
stopped at the village store to get gas.
I wish you would look at the hay—
the beautiful sane and solid bales of hay.
At the Town Dump
Sometimes I nod to my neighbor
as he flings lath and plaster or cleared
brush on the swelling pile. Talk
is impossible; the dozer shudders toward us,
flattening everything in its path.
Last March I got stuck in the mud.
Archie Portigue was there, thin
from the cancer that would kill him,
with his yellow pickup, its sides
akimbo from many loads. Archie
pushed as I rocked the car; the clutch
smelled hot; then with finesse
he jumped on the fender. . . . Saved,
I saw his small body in the rearview mirror
get smaller as he waved.
A boy pokes with a stick at a burnt-out
sofa cushion . . . He brings the insides
out with clear delight. Near where I stand
the toe of a boot protrudes from the sand.
Today I brought the bug-riddled remains
of my garden. A single ripe tomato—last fruit,
immaculate—evaded harvest, and dangles
from a vine. I offer it to oblivion
with the rest of what was mine.
Killing the Plants
That year I discovered the virtues
of plants as companions: they don’t
argue, they don’t ask for much,
they don’t stay out until 3:00 a.m., then
lie to you about where they’ve been. . . .
I can’t summon the ambition
to repot this grape ivy, or this sad
old cactus, or even to move them out
onto the porch for the summer,
where their lives would certainly
improve. I give them
a grudging dash of water—that’s all
they get. I wonder if they suspect
that like Hamlet I rehearse murder
all hours of the day and night,
considering the town dump
and compost pile as possible graves. . . .
The truth is that if I permit them
to live, they will go on giving
alms to the poor: sweet air, miraculous
flowers, the example of persistence.
The Painters
A hot dry day in early fall. . . .
The men have cut the vines
from the shutters, and scraped
the clapboards clean, and now
their heads appear all day
in all the windows . . .
their arms or shirtless torsos,
or a rainbow-speckled rag
swinging from a belt.
They work in earnest—
these are the last warm days.
Flies bump and buzz
between the screens and panes,
torpid from last night’s frost:
the brittle months advance . . .
ruts frozen in the icy drive,
and the deeply black and soundless
nights. But now the painters
lean out from their ladders, squint
against the light, and lay on
the thick white paint.
From the lawn their radio predicts rain,
then cold Canadian air . . .
One of them works way up
on the dormer peak,
where a few wasps levitate
near the vestige of a nest.
Back from the City
After three days and nights of rich food
and late talk in overheated rooms,
of walks between mounds of garbage
and human forms bedded down for the night
under rags, I come back to my dooryard,
to my own wooden step.
The last red leaves fall to the ground
and frost has blackened the herbs and asters
that grew beside the porch. The air
is still and cool, and the withered grass
lies flat in the field. A nuthatch spirals
down the rough trunk of the tree.
At the Cloisters I indulged in piety
while gazing at a painted lindenwood Pieta—
Mary holding her pierced and desiccated son
across her knees; but when a man stepped close
under the tasseled awning of the hotel,
asking for “a quarter for someone
down on his luck,” I quickly turned my back.
Now I hear tiny bits of bark and moss
break off under the bird’s beak and claw,
and fall onto already-fallen leaves.
“Do you love me?” said Christ to his disciple.
“Lord, you know
that I love you.”
“Then feed my sheep.”
Deer Season
November, late afternoon. I’m driving fast,
only the parking lights on.
A minor infringement of the law. . . .
All along Route 4 men wearing orange
step out of the woods after a day
of hunting, their rifles pointed
toward the ground.
The sky turns red, then
purple in the west, and the luminous
birches lean over the narrow macadam road.
I cross the little bridge
near the pool called The Pork Barrel,
where the best fishing is,
and pass the Fentons’ farm—the windows
of the milking parlor bright, the great
silver cooling tank beginning to chill the milk.
I’ve seen the veal calves drink from pails
in their stalls. Suppose even the ear of wheat
suffers in the mill. . . .
Moving fast in my car at dusk
I plan our evening meal.
November Calf
She calved in the ravine, beside
the green-scummed pond.
Full clouds and mist h
ung low—
it was unseasonably warm. Steam
rose from her head as she pushed
and called; her cries went out
over the still-lush fields.
First came the front feet, then
the blossom-nose, shell-pink
and glistening; and then the broad
forehead, flopping black ears,
and neck. .. . She worked
until the steaming length of him
rushed out onto the ground, then
turned and licked him with her wide
pink tongue. He lifted up his head
and looked around.
The herd pressed close to see, then
frolicked up the bank, flicking
their tails. It looked like revelry.
The farmer set off for the barn,
swinging in a widening arc
a frayed and knotted scrap of rope.
The Beaver Pool in December
The brook is still open
where the water falls,
but over the deeper pools
clear ice forms; over the dark
shapes of stones, a rotting log,
and amber leaves that clattered down
after the first heavy frost.
Though I wait in the cold
until dusk, and though a sudden
bubble of air rises under the ice,
I see not a single animal.
The beavers thrive somewhere
else, eating the bark of hoarded
saplings. How they struggled
to pull the long branches
over the stiffening bank . . .
but now they pass without
effort, all through the chilly
water; moving like thoughts
in an unconflicted mind.
Apple Dropping into Deep Early Snow
A jay settled on a branch, making it sway.
The one shriveled fruit that remained
gave way to the deepening drift below.
I happened to see it the moment it fell.
Dusk is eager and comes early. A car
creeps over the hill. Still in the dark I try
to tell if I am numbered with the damned,
who cry, outraged, Lord, when did we see You?
Drink, Eat, Sleep
I never drink from this blue tin cup
speckled with white
without thinking of stars on a clear,
cold night—of Venus blazing low
over the leafless trees; and Canis
great and small—dogs without flesh,
fur, blood, or bone .. . dogs made of light,
apparitions of cold light, with black
and trackless spaces in between. . ..
The angel gave a little book
to the prophet, telling him to eat—
eat and tell of the end of time.
Strange food, infinitely strange,
but the pages were like honey
to his tongue. . . .
Rain in January
I woke before dawn, still
in a body. Water ran
down every window, and rushed
from the eaves.
Beneath the empty feeder
a skunk was prowling for suet
or seed. The lamps flickered off
and then came on again.
Smoke from the chimney
could not rise. It came down
into the yard, and brooded there
on the unlikelihood of reaching
heaven. When my arm slipped
from the arm of the chair
I let it hang beside me, pale,
useless, and strange.
Depression in Winter
There comes a little space between the south
side of a boulder
and the snow that fills the woods around it.
Sun heats the stone, reveals
a crescent of bare ground: brown ferns,
and tufts of needles like red hair,
acorns, a patch of moss, bright green. ...
I sank with every step up to my knees,
throwing myself forward with a violence
of effort, greedy for unhappiness—
until by accident I found the stone,
with its secret porch of heat and light,
where something small could luxuriate, then
turned back down my path, chastened and calm.
Bright Sun after Heavy Snow
A ledge of ice slides from the eaves,
piercing the crusted drift. Astonishing
how even a little violence
eases the mind.
In this extreme state of light
everything seems flawed: the streaked
pane, the forced bulbs on the sill
that refuse to bloom. ... A wad of dust
rolls like a desert weed
over the drafty floor.
Again I recall a neighbor’s
small affront—it rises in my mind
like the huge banks of snow along the road:
the plow, passing up and down all day,
pushes them higher and higher. . . .
The shadow of smoke rising from the chimney
moves abruptly over the yard.
The clothesline rises in the wind. One
wooden pin is left, solitary as a finger;
it, too, rises and falls.
Ice Storm
For the hemlocks and broad-leafed evergreens
a beautiful and precarious state of being. . ..
Here in the suburbs of New Haven
nature, unrestrained, lops the weaker limbs
of shrubs and trees with a sense of aesthetics
that is practical and sinister. ...
I am a guest in this house.
On the bedside table Good Housekeeping, and
A Nietzsche Reader. . . .The others are still asleep.
The most painful longing comes over me.
A longing not of the body. . . .
It could be for beauty—
I mean what Keats was panting after,
for which I love and honor him;
it could be for the promises of God;
or for oblivion, nada; or some condition even more
extreme, which I intuit, but cant quite name.
Walking Alone in Late Winter
How long the winter has lasted—like a Mahler
symphony, or an hour in the dentist’s chair.
In the fields the grasses are matted
and grey, making me think of June, when hay
and vetch burgeon in the heat, and warm rain
swells the globed buds of the peony.
Ice on the pond breaks into huge planes. One
sticks like a barge gone awry at the neck
of the bridge. . . .The reeds
and shrubby brush along the shore
gleam with ice that shatters when the breeze
moves them. From beyond the bog
the sound of water rushing over trees
felled by the zealous beavers,
who bring them crashing down . . . Sometimes
it seems they do it just for fun.
Those days of anger and remorse
come back to me; you fidgeting with your ring,
sliding it off, then jabbing it on again.
The wind is keen coming over the ice;
it carries the sound of breaking glass.
And the sun, bright but not warm,
has gone behind the hill. Chill, or the fear
of chill, sends me hurrying home.
II
Mud Season
The Hermit
The meeting ran needlessly late,
an
d while yawns were suppressed around the room
the river swelled until it spilled.
When the speaker finished, I made for the car
and home as fast as fog would allow—
until I came upon a barricade: beyond,
black pools eddied over the road. Detour.
The last familiar thing I saw: the steaming
heaps of bark beside the lumber mill.
No other cars on the narrow, icy lane; no house
or barn for miles, until the lights of a Christmas tree
shone from the small windows of a trailer.
And then I knew I couldn’t be far
from the East Village and the main road.
I was terribly wide awake. . . .
To calm myself I thought of drinking water
at the kitchen sink, in the circle of light
the little red lamp makes in the evening . . .
of half-filling a second glass
and splashing it into the dish of white narcissus
growing on the sill. In China
this flower is called the hermit,
and people greet the turning of the year
with bowls of freshly opened blossoms. . . .
The Pond at Dusk
A fly wounds the water but the wound
soon heals. Swallows tilt and twitter
overhead, dropping now and then toward
the outward-radiating evidence of food.
The green haze on the trees changes
into leaves, and what looks like smoke
floating over the neighbor’s barn
is only apple blossoms.
But sometimes what looks like disaster
is disaster: the day comes at last,
and the men struggle with the casket
just clearing the pews.
High Water
Eight days of rain;
the ground refuses more.